Friday May 16, 2008
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Time for another installment of Randomocity. It's like a whole extra radio show every week that we do this. I tired of doing this every third week, so we're up to once every five. Seems safe enough.
A reminder - Click on the 'Play It' link at the end of each commentary and you can listen along with me. Sort of.
Here are the rules: 1) can't spend any more time typing than the track is long; 2) have to type based on my own knowledge - no consulting the internets for confirmation, so if I put my foot in my mouth, so be it; 3) no skipping tracks - even if artists/albums repeat, no skipping.
Let's go.
#1 Bill Hicks - "Confession Time" : From Rant in E-Minor. My computer seems to love bringing up Bill Hicks, which is fine, but it does it a lot in random mode. This is Bill's bit about the show C*O*P*S and how it represents both the most base form of entertainment on television. It includes a bit of baiting of poor-white stereotypes, but it does include one of my favorite lines at the end. - Play It!
#2 Slim Dunlap - "Ain't Exactly Good" : It was hard for me to write much about that Bill Hicks bit because I hadn't heard it in awhile, but now Slim, I can talk about. This is from The Old New Me, which I think I reviewed awhile back here on the blog. Slim always gets kind of dismissed when it comes to members of the Replacements because of his taking the place of the sainted Bob Stinson. I always think it's silly when people talk about Replacements reunions - no one ever mentions Slim. He's still alive, you know, and a great, great guitarist. I'd love to see the 'Mats back out with Slim on lead. Maybe that's just me. Slim's solo records aren't revelatory in any way, but they're an awful lot of fun and there are a handful of songs on each one that are truly superb. - Play It!
#3 Guided by Voices - "Of Mites and Men" : From Earthquake Glue and, you know, I've always enjoyed GBV, but haven't spent a ton of time listening to them. I bought this album when it came out and there were good songs on it and this song is pretty catchy and nice - like a lot of Robert Pollard's best work - but I haven't listened to it enough to even recognize this song. Maybe I should become a GBV fanatic for awhile. Ah, when that guitar riff comes back up after the bridge - man, that's a nice moment. Hard hitting, short, a good rock song. - Play It!
#4 the Flaming Lips - "Bad Days" : This is from the Providing Needles for Your Balloons EP which was released after Transmissions from the Satellite Heart. This song would get re-recorded for Clouds Taste Metallic, but there's not much difference between this one and that one. I'm going to say right now, as I have before, that this is my favorite era Flaming Lips. Am I a bad person that, as much as the period in their career from The Soft Bulletin forward has been awesome for them a pretty remarkable one, that I just don't think it's as fun or as enjoyable as this era. This was where they finally got a hold of the incredible racket they'd been creating on their early records and harnessed it into a controlled derangement for the first time. So, for me, it's all about that mid-late 90s stretch of records. I'll include The Soft Bulletin as I see it as the link between the two eras, but yeah. I love this song - like great circus music from a weird, weird circus. - Play It!
#5 Outkast - "D-Boi (Interlude)" : Hmm, a sketch from Speakerboxxx. Boring. Skip it.
#6 the Replacements - "Skyway" : The new slate of Replacements re-issues (look for my reviews next week) will again raise the 'what's the best 'Mats album' arguments. If I'm feeling somewhat contrarian and, frankly, honest, I'll say Pleased to Meet Me and "Skyway" is one of the reasons why I think that. It's one of Westerberg's finest moments, hands down, and it's just so beautiful and hopeless and self-deprecating and infectious. This is what great music is all about. - Play It!
#7 Scott Walker - "Jolson and Jones" : Oh, here we go. This is the kind of random, bizarre stuff I love to pop up. This is from Scott Walker's latest album, The Drift. If you haven't heard this thing, hang onto yourselves. If you can imagine Walker's over-emotive crooning mixed with what, honestly, is close to industrial/noise atonal musical accompaniment. It's like Walker is hearing a melody that is just escaping the rest of us. It's a fascinating record just because of that. His singing, already a truly unique entity, is even more unsettling set above the sounds on this record. Look, there's a song on this album, "Jesse" I believe, that has to do with Elvis Presley's twin who died in the womb or something? Jeeze, the horns at just before the 3 minute mark on this song sound just like a man moaning. I really thought that was Walker for a second. I was going to be really impressed. I'm still just...forget all that Halloween music I usually play in October. I'm just going to play selections from The Drift each week leading up to Halloween and that ought to take care of it. "I'll punch a donkey in the streets of Galway." This is genius stuff. - Play It!
#8 Television - "Friction" : After all seven and a half minutes of that, I needed this. I will forever and ever be amazed by Television. This song especially - I had a late period understanding of this song. It comes in the bridge as the guitars and everything rush back for the final verse. The bass does a little jolly dance across the guitars and sends everything plummeting back into the verse. With Television the focus is always either on Tom Verlaine or Richard Lloyd, so it's incredibly easy to overlook their immaculate rhythm section - Fred Smith and Billy Ficca. Give the bass a listen in this song. It's as melodic as anything else. What a debut album. - Play It!
#9 Midnight Oil - "Arctic World" : During my interview with Patterson Hood, we went up the street from the Cat's Cradle to get dinner and when he sat down in my car, he had to move my copy of Diesel and Dust. He immediately commented on what a great album it was and we got to share a moment extolling the virtues of this album. Midnight Oil is a truly gifted band and there's a stretch of about four or five albums in the middle of their career that are pure amazing music. This is definitely one of them. This is one of the album's slower moments and one of Peter Garrett's best vocal performances. - Play It!
#10 Josh Rouse - "Under Cold Blue Stars" (live) : I don't know if this is a bootleg or from a radio EP that I have, but either way this is Josh Rouse back in the Under Cold Blue Stars era, which is probably still my favorite of his albums. Although just earlier today I was thinking of some music from his first album. His albums have grown increasingly..sort of meh for me. He still writes great music, it just doesn't quite pierce me the way it used to. There are so many songs on Under Cold Blue Stars that are affecting - probably "Women and Men" is the one that always nails me the most. His live bands are always excellent at turning his album material into a warm and living, breathing creation on stage as evidenced by this performance. - Play It!
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Thursday May 15, 2008
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It's just another of theroutine "conservatives are always wrong, we're always right, and you guys are nothing but trolls" from some of the most usual of Usual Suspects.
One of them asks the insipid question: "Why are there no liberal trolls on conservative blogs?"
Two reasons, pal.
One, most of the Dem/Lefty/"Progressive"/Libthinker Usual Suspects are way too fearful of venturing out on their own without the safety net of fellow Cone sycophants, who can be trusted to tag team and marginalize any conservative viewpoint.
Second, without the support of said safety net, Usual Suspects know their responses cannot stand on their own merit when challenged.
But I suspect you already knew the certainty of those particular truths, didn't you?
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With any amount of luck, Obama will be dumb enough to pick Mr. "Two Americas" as his running mate.
Says Victor Davis Hansen:
"McCain should pray that Obama picks (he won't) John Edwards as VP—he brings no executive record of experience, and offers less ideological balance; he has a poor record of winning primaries over two failed runs for the Presidency, has never appealed to working-class whites, hurt the Kerry ticket as a mediocre VP candidate, did poorly in past and present debates, and went even harder to the left (in scripted fashion) in the primaries.
Moreover, he adds to, rather than ameliorates, the sense of elitism and out-of-touchness that plagues Obama. For all the talk of growing up the son of a mill worker, voters remember 'the haircut' and that gargantuan house with the 'John's room' inner sanctum. I'm afraid all that outweighs the photogenic youthful appearance and occasional glibness."
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I recently had the pleasure of reconnecting with a couple of high school friends, Tom McCarthy and Michael Hutchinson, I hadn't talked to since those days. Both men have gone on to become tremendously successful in their fields. That alone was delightful to me -- they're both great guys whom I looked up to even back then. Catching up on our lives, they shared with me what some of our mutual friends are now doing.One such friend: Col. John Hort, who is leading an infantry battalion in Sadr City:
"The enemy kept coming back to some of the same buildings," Colonel John Hort, the commander of the 3rd Brigade Combat Team, 4th Infantry Division, said during a recent visit at Thawra II, a joint U.S.-Iraqi outpost that abuts a section of the wall that has been a hotbed of militia resistance. "We ended up having to use some larger ordnance out of our air force to reduce some of the buildings around here."This would be the same John Hort that I used to knock around with, go to movies with, talk about girls with, and played tennis with. A good friend then. A very brave man now.
I am praying for Col. Hort's well-being, and his troops', as they brave enemy fire in combat. May our Lord watch over you, John.
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Now playing: Chor der Wiener Staatsoper, Dame Joan Sutherland, Luciano Pavarotti, Marilyn Horne, Martti Talvela, Sir Georg Solti & Wiener Philharmoniker - Messa da Requiem: II. Dies Irae: 9. Lacrymosa
via FoxyTunes
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A portion of the proceeds will benefit the USO.
For reservations, call 323-1428.
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I thought this was worth mentioning. Recently (as many know) I suffered from a laptop that became damaged. While I could have manually transferred all the stuff off of it as it was still partially functional, I actually just waited till I got a USB cable to pull the HD. For us as alot of people, our laptop became full of family photos, videos, not to mention several data backups for the websites, and my MP3 collection. I know alot of people take their computers to places like Best Buy where their Nerd Herd charge you unbelievable amounts of money to rescue data off of computers. (I joke not, I looked it up, and the Geek Squad can ask up to $1600.00 for recovery) Now I know in many instances things can damage data, but in my 20 years using computers, if the computer is well taken care of, generally the data on the HD way out survives the physical computer. I have a desktop which has a HD installed from 4 computers ago. It still has AOL 2.5 (before the Internet) and most of my college data on it. So here it is for those of you who don't know. If your laptop goes bad, as in my case, where my child poured their drink on the keyboard, you simply flip it over, undo the hard-drive compartment and the 2 screws that hold the hard drive in. Slide it out of the IDE socket, and order one of these: IDE to USB cables. I got mine from EMT company (the one linked to) for $9.95. Their customer service was excellent, and the cable arrived in about 7 days. Plugged it right into the hard drive, and had complete access to my old Hard drive, and all the precious data. What would have taken me days of uploading 590megs of pictures took about 2 minutes to copy to it's new home on the 250 gig hard drive on the new laptop. I can then burn them to DVD for further storage.
Copyright 2008 All Rights Reserved. Greensboring.com Greensboro, NC
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For The Greensboring Collaborative blog.
The battle over this issue continues. I'm going to have to check back on this story a little later. Normally CNN is pretty good about posting PDF versions of the actual court judgment text. Which I find to be very interesting reading. As always, the forces of exclusion have said that allowing gays to get married would harm "family values." I have NEVER understood this. There are plenty of abusive, wretched, loveless "straight" marriages -- don't THEY harm the value of marriage? OTOH, what difference would a gay couple living down the street make to anyone's marriage? Seems to me this "values" statement is a smoke screen for simple bigotry. Anyway, I hope this gets resolved in favor of all couples that want to get married. I personally don't recommend it, but hey -- to each his or her own.
Any view expressed in this blog is that of the author of the article only & does not necessarily represent the views of Greensboring.com or it's owner Beth.
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I admit it's gotten bad. I'm to the point I can't live without visiting the place several times a week. I've actually considered taking a lower paying job just to work there. I must admit without World Market you probably would have had to lock me up in the asylum if it wasn't for their imported British scones and clotted creme. I'm also quite fond of several of the imported chocolates. My real problem has come with the wines though. I only need to thank S.F.I. & Sanjuro for turning me on to the place. It's gotten so bad that I started eyeing a wine rack. I know nothing about wine, nor wine racks but I love looking at the different wines, and their descriptions, imagining what they may tastes. One of my favorites so far is a French wine called Red Bicyclette Rose which is a strawberry & watermelon wine. Oh my god! Tonight we maxed the credit card on some real Italian pasta & sauce. I picked up two bottles of wine to try. One is another French wine "Parallele 45"
and a Italian wine called La Bastarda:Parallele 45 is solid, with fresh plum, violet and grilled herb notes, all backed by an iron-tinged finish;
Again, they could probably put sewage water in a bottle and I'd find it interesting, but it's fun to try different one. I guess that's my attraction. In some sort of way I get to experience different cultures and different tastes by trying different foods and wines. My biggest question for my wine aficionados is why is there no "British Wine"? Am I missing something, or are they just not good at making it? I mean France makes wine, why not the Brits?La Bastarda is the charming and spirited sister wine (although the name may not give you that impression) of another mischievously named wine made from Tuscany’s most famous red wine grape: the Sangiovese. They bear a striking family resemblance and are recognizable in their good cheer. They’re both offspring of Rendo Masi, winemaker in Tuscan hillsides situated to the east of the cultured city of Florence.
Copyright 2008 All Rights Reserved. Greensboring.com Greensboro, NC
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The monster movie in American cinema has found itself in serious disrepair over the years. Out of the motivation to invigorate the genre, screenwriter Drew Goddard penned a screenplay that rolled into quick production under Abrams’s creative oversight, and brought to life under director Matt Reeves, all of whom have shared various creative rolls on fan-favorite television productions, most notably Lost.
Innovative marketing built a quick base of enthusiasm, and promised an event as huge as the monster its trailers hinted. A solid trailer can make even mediocre films look like a Spielberg movie. And while Cloverfield isn’t mediocre, it is most certainly not what its marketing led audiences to believe.
It’s Robert Hawkins’s last night in Manhattan. His friends have all gathered to wish him well while one compadre totes a video camera around to capture everyone’s goodbyes. Everything we see happens through his lens.
As the party gets into swing, romance blossoms and withers. The woman Hawkins loves dares even to bring another beau to the party. But before anyone has any real time to hash out the ensuing gossip, a jolting earthquake grinds everything to a halt.
Everyone heads to the roof of this posh Manhattan apartment complex to see all the action in the streets, just in time to witness a cataclysmic explosion erupt in the city, spewing debris. Hawkins and his buddies evacuate the building, just in time (again) to see the head of the Statue of Liberty crash into the streets of New York. A monstrous thing has invaded the city!
Much of the movie does a hit-and-miss strafing run at the audience. It’s a quick ride—lasts only about 73 minutes. The filmmakers have said they wanted to shoot for something more in the vein of the original Gojira, and in some ways, they succeeded. Cloverfield plays just like another monster movie, albeit with better special effects. There are no deep or meaningful examinations of any real theme, just a simple tale, played out against violent upheaval. It’s a perfect recipe for a fun flick. It just lacks the magic to make it memorable.
Characters develop more as soap-operatic caricatures than real human beings. A few moments capture the rhythm of genuine spontaneity—a key selling point for a picture running on the premise that everything you see was supposedly culled from home video footage—but they’re moments too few and too late in a picture that pushes angst more than actual terror and grief. When the scares come, there just isn’t enough investment there to nail the impact. One such fright (watch for the infirmary) edges so close to earning an iconic place in the genre that you wish it weren’t so delimited by cliché.
So many scares spurn utterances of “I-seen-that-one-coming” that you wonder why the movie bothers to take itself so seriously. Critics have drawn numerous parallels between this and The Blair Witch Project, and comparisons should end with the inclusion of the video camera. Blair Witch tapped a more elemental terror; it played on base fears, building on that oft ignored rule that what you can’t see is much scarier than what you can. Where Blair Witch terrifies, Cloverfield only invites a plaintive scorn.
Cloverfield has all the ingredients for a classic, but may only end up developing a small cult-like following. It certainly doesn’t strike the universal palette like a Back to the Future, or even the weaker moments of Indiana Jones. J.J. Abrams possess the creative talent to establish himself among the giants that innovated the blockbuster explosion of the early 80s. He is a master at dreaming up and selling big theatrical concepts, and despite fandom’s compunction to vilify his work, most of his efforts earn laudable and reasonable success. Cloverfield just does not quite reach for the stars, just hovers more or less near the stratosphere.
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The catch? Not good until 3 p.m. Can you still squeeze in 18 holes? Possibly, though doubtful. There's always that one foursome out there (you know who you are) who are s-l-o-w, causing a ripple effect that results in late tee-off starts and other fun.
Foolish optimists that we are, our group is teeing off at 3:15 p.m. Saturday. We'll be packing our flashlights just in case.[Full article]
Right now, LIFE SUCKS!!
But wait, what's that up ahead??
Is it a ray of light, a glimmer of, dare I say it, ... hope?
??????????
Stay Tuned...
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